Our Country’s Good cast member John Hollingworth has written this thoughtful piece for us. Recommended. Legacy. Post-Olympics the papers are full of the word and, as we present Our Country’s Good to the national press in Birmingham, so are my thoughts about the play. This is Max’s third production of the play. He originally staged […]

Actors’ Songs We asked actors on twitter whether they listen to music before going on stage, and if so what helps them get in the right mood or headspace. You can find their replies, plus a link to a Spotify playlist, here. It ranges from classical to the Beastie Boys. Replies included: “I once played […]

Our cast have had the rare advantage of being able to spend the final two weeks of rehearsal on the set, on stage at the Octagon Theatre Bolton. Designed by Tim Shortall (who also designed our productions of Top Girls and The Big Fellah, as well as the recent West End La Cage Aux Folles […]

Kathryn O’Reilly takes a break from rehearsals to talk about crime, punishment and the long sea voyage of the First Fleet. Her character, Liz Morden, comes from various prototypes. One is Nancy Turner, a 21-year-old servant who was tried at Worcester in 1785 for stealing clothes to the value of 40 shillings. She was sentenced […]

We spoke to Andy Smith about designing the sound for Our Country’s Good, and how he became a sound designer. What does a sound design do for a production? A good sound design enhances the experience for the audience and immerses them in the production. I tend to favour a subtle sound design when it […]

Our guest Sarah Eve on actions, quizzes, and something called the “fucking game” When I saw the Our Country’s Good open rehearsals advertised on Twitter, I jumped at the opportunity to see Max Stafford-Clark and Out of Joint at work. Having heard all the horror stories imaginable of the dreaded rehearsal room, I wanted to […]

Max Stafford-Clark on directing tried and tested plays. Most of the plays I’ve directed have been new plays, where the focus – especially the critical focus – is all on the play and its author. As the director your work is usually acknowledged with a cursory adverb – “ably directed by…” or “fluidly” perhaps. Whereas when you […]

Jon Bradfield on learning about the worlds behind our plays. I think a defining aspect of Out of Joint’s shows is that, over the course of a couple of hours, they offer an overview of a world about which you might know little. (Last year’s play Bang Bang Bang, for example, gave clear and personal […]

Our Country’s Good is returning for more performances in 2014. Here is writer Timberlake Wertenbaker on love, death, trash romances and the inspirations behind her play. Plays have strange and complex ways of getting written, that often only become clear much later. It was interesting for me to go back to the time I wrote […]

Princess Di, Wallis Simpson – why is it always affairs of the heart that send the Royals spinning into a tiz? Enjoy the chaos as the popular, handsome young heir to the throne falls for a very unsuitable girl. Alistair Beaton wrote Feelgood which became a West End hit for us a few years back. […]